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Ableton live 9 vs logic pro x free download. 【2022年】DAWの選び方徹底解説【全6種】全て使用経験あり！
Ableton live 9 vs logic pro x free download.Ableton Archive
I also find the graphic layout of Ableton to be much less pleasing to the eye. What really matters is the audio results, but I do think that when you are staring at a screen for hours during a project, it certainly helps if the text is clear and easy to use.
In Logic, you can even add little graphics to your tracks so you can see what they are quickly and easily. With Ableton, you have to wrap your head around the Arrangement vs Session view, and how they each behave. One great thing about the Session view is that you can set it up that you can key in your notes. Whatever notes you key in will automatically be repeated in the same way as a loop pedal might work. Live Performance is really where Ableton comes into its own, and this automatic Loop can be a really powerful tool.
I can also see the practical application of this from a songwriting point of view. A few clicks can set you up with a drumbeat for as long as you need. To set this up, you drag the MIDI sound you would like from the Library onto your track in the sessions view.
You can also drag effects such as delay and other voices onto the track. By double-clicking, you bring up a keyboard in the bottom window that allows you to pencil in notes as you go.
Ableton will automatically look when you hit the play button at the top of the track. One thing I like here is that the effects and sound parameters are laid out for you at the bottom. This means you can see in one glance the different things you have going on. You can loop, of course, but you need to specify what regions you would like to loop.
For adding effects, I think that the Logic method makes more sense. With the Mixer window at the bottom, you can literally choose from hundreds of different effects and then tweak them. What I really like about this is that it clearly lists the effects you have on each track.
Plus, you can open up the individual effects windows to change the parameters with multiple windows easily workable if you want to see how effects play off each other. Actually editing the audio is a lot easier in Logic Pro X. By just double-clicking on an audio file, you open the editor window, where you can cut, fade, slow down and pretty much anything else you can think of. This even goes down to editing individual waveforms.
In Ableton, editing with this level of granularity is much more difficult. One area where Ableton really shows its worth is in making beats. Logic can even provide a click track based on your input from you playing an instrument, even if you push and pull the tempo.
Of course, you can also design your own beats using MIDI. It is, however, quite a granular process — digging into the MIDI voice with a Pencil tool and indicating exactly where you want your beats to land. With Ableton, there are a ton of pre-populated individual drum hits, cymbal smashes and shuffles for you to drop into any order to create something unique. Plus, the easy snap feature means that you can easily drag and drop beats to really build your track.
Ableton also has free sound packs! Again, the automatic loop becomes a really useful feature in this process. So if you need to create more complex masterpieces, you will probably need to look at upgrading, which also unlocks a wider array of other features and plugins.
The key to any DAW is Plugins! Your plugins are effects that you can add to your tracks to manipulate the audio. These are really what transforms your raw audio into something that sounds palatable. Ableton also comes with a really good number of plugins. For me, the way Logic presents its presets is much easier. You open up the plugin in question and choose from a dropdown menu. Whereas with Ableton, you need to select from a library and then drag the preset onto your track.
You then must choose another from a separate list in the library, rather than having it in one place. Mixing in Logic Pro X is a dream. You can either run your mixer as the window beneath your main project view, or have it as a separate window. This is particularly nice if you have a second screen.
That way, you can mix while also maintaining an overview of what is coming up. This, in turn, gives you the ability to see how that will affect your mixing decisions. Creating new buses is really straightforward, and the layout of the mixer is very familiar. But it also has the added benefit of easily and clearly displaying the plugins on each track.
However, this is very much a luxury of the digital world, and something that is not present in analogue systems. It may be that Ableton decided to make these views interchangeable rather than visible in parallel based on this principle. One great thing about Ableton is that Lite versions of the software usually come free of charge with certain hardware.
Focusrite and Novation products also often include a license for Ableton Live Lite. So, it can be a great software to get started with if you are purchasing MIDI keyboards or audio interfaces. The Push is the first pad-based controller that embraces scales and melody. Each of includes Ableton Live 10 at differing levels, as with the usual versions , plus the Push.
It is beautifully laid out, powerful, and sounds great. It really is a professional-grade DAW that makes creativity easy and fun. Also, learning to it as a precursor will make Logic feel like an easy step up when you come to invest in a DAW.
Ableton does have some nice features, however! Plus, the fact that it comes free with certain hardware and is also available on PC means that if budget is a factor, you can get started for less.
However, I feel this is a bit of a false economy given the limitations of the lower editions. In my opinion, the complexity of the pricing model is bordering on the ridiculous. All our courses are created by industry professionals, with a wealth of knowledge and expertise. Our courses are designed to give you skills that are valuable to you as an artist. Check it out today! Some issues might be a deal breaker for some, for others, they might be barely noticeable.
Let us know if you agree with us, and if not — why? Now you have heard all about these two DAWs and how to get creative with them, you will hopefully be utilising your new skills in your own music!
Allow us to help you amplify your music , collaborate with others, and even get your music in TV, film and more. Why not try Music Gateway for free? There are a whole host of DAWs on the market, so there are a lot of questions to consider when comparing or considering one for your own use. If you're making electronic music to be performed , for example, Ableton Live is the best choice by a mile.
If you're more focused on recording instruments and getting to use lots of technical plug ins , maybe Logic is the way to go. Straight off the bat, if you're going in blind with no former knowledge of the two, there's no getting away from the fact that Logic is much better value for money than Ableton, because it's cheaper, and comes bundled with everything you need.
That's over double the price, and then some. It's an unfortunate reality that Music Production can be an expensive hobby with some plug ins alone costing in the hundreds but if you're serious about making it work, that won't stop you. However, if you aren't sure, or if budget is not an issue, read on to check out exactly what sets these two DAWs apart from each other, and which one is right for you. This is probably the most fundamental question you need to ask yourself when trying to decide which program suits your needs best.
If you know exactly what you need from a DAW, you're better prepared to choose one. If your workflow takes the form of building a track in an arrangement , delving into sound design and composition , then Logic is for you. If you're a musician who records acoustic instruments , vocals or live drums , then the ability to comp, edit, track and record audio are an essential part of your arsenal. Logic lets you do this with ease, whereas these features are sadly pretty much nonexistent in Ableton.
That's not to say that Live doesn't allow you to record audio, just that if you are wanting something more akin to a studio environment, where you can record multiple takes onto one track, splice and edit the audio together efficiently , then Logic excels here and Ableton falls short.
Having said that, the two flagship DAWs are constantly tweaking and subtly borrowing ideas from each other when they release updates, so who knows where Live's audio editing functionality will be in the future?
While the previous section may seem to put Logic in the lead, there are more things to consider. If performing your music is part of your goal, then Ableton is the choice for you. Live is unique because as well as having the traditional DAW features in its Arrangement View , it also comes with Session View, a unique environment in which you can employ a totally different song writing approach.
Building loops , and hearing them in real time is what Ableton's tools lend themselves to most effectively. When paired with Ableton's Push controllers, Live becomes a performance instrument , which can be used in either context; jamming out a song idea , or performing in a live situation.
This is why Live is so popular with electronic music producers, as genres such as House or Techno , which are progression based and largely focused on looping parts building on top of each, are so easy and intuitive to create within Live's environment. Live also offers extensive mapping to MIDI controllers, allowing pretty much any parameter from any plug in to be mapped to a control surface such as Ableton's own Push or Push 2 , but third party controllers also work.
This allows control down to a minute detail on many elements of a song's performance, and there's no limit to how creative you can be with effects when it comes to this level of customisation with MIDI programming and assignment.
Even DJs use Live. The audio snycing and beat matching is where Ableton's skills also shine. It has complex audio analysis and warping tools, allowing you to select and create transient markers , to ensure that the audio you're working with is perfectly in time with your project.
This is what makes using Live as a DJ tool possible, you can drag a full song onto a single clip, and ensure the beat is locked with the BPM of your Live session. Using Ableton's built in performance effects and tools , you can create a full DJ set up within Live's environment. Adding songs to individual clips , and creating a full line up of songs for a DJ set is entirely possible. While Apple does offer Mainstage , designed to be a live performance app and often seen as companion to Logic , for a live performance context, you can't beat the functionality and customisation levels available in Ableton Live.
So if you're an artist with a clear view to being able to perform your music in a live setting, Ableton is the winner here for its unique performance oriented features. Logic uses a layout that anyone who has previously used Pro Tools or Cubase would be familiar with. Each DAW mentioned shares an area for arranging on a timeline horizontally, and a separate mixer for balancing your tracks volume, panning, FX, sends etc.
Live , on the other hand, while sharing an Arrangement View , can be confusing if you're only used to using the aforementioned DAWs. The Session View is Live's unique feature, and if you don't think you'd use it, sticking with Logic Pro would be the best bet. Ableton's Session View is so unique because it is a non-linear work space, visually arranged similar to Logic's mixer but with Clips arranged vertically and Scenes arranged horizontally.
A Clip contains one part or element of a track. This section allows you to improvise and promotes building your track as a loop. A clip will loop infinitely if you leave it playing, so if your approach to songwriting is building on ideas in real time , you can do this. Then when you're finished, you can switch over to Arrangement View and create the song's full arrangement in a more traditional timeline sense.
For a comprehensive comparison of Ableton's Session View, check out our article here which takes a closer look at Ableton's interface. If you're less of a songwriter and more of an engineer or a technically minded producer, Logic has a boutique of plug ins that are perfect when it comes to Mixing and Mastering your tracks.
There are even argument for Logic's audio engine sounding better. Though these are largely an issue of taste preference. There's definitely a difference between them, but is it enough to set one apart as an industry standard and the other as sub par? Not really. Something to consider though, is that many producers myself included have found themselves producing a track in Ableton, and then moving over to Logic for a more comprehensive mixing and mastering process.
While Ableton may lend itself well to particular composition scenarios , Logic comes out ahead when it comes to Mixing and Mastering.
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